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Lesson 6 of Classic Poses for Nude Female contains nudity. So I'm going to cover these five goto poses that are gonna be a great place to start for any shoot. So Kristy will you come over here, and we're gonna get started. So, five poses.

Classic female nude

Classic female nude

Classic female nude

Classic female nude

Classic female nude

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Lesson 6 of Classic Poses for Nude Female contains nudity. So I'm going to cover these five goto poses that are gonna be a great place to start for any shoot. So Kristy will you come over here, and we're gonna get started. So, five poses. Great, thank you. All right, perfect, and then just come a little bit closer. Right there is great. Our very, very first pose is going to be all about creating curve.

So what I'm going to do is I'm going to have my subject stick out one hip, and the hip that's bent, that's stuck out, I'm going to bend that knee over as well, and then turn the shoulders that way.

So it just gives me massive curve on that side of the body. So if you'll do that. And it already looks stunning. The bent knee centers the form, and the way that she's leaning her shoulders toward that hip really gives me beautiful curves. So let's start with that first pose. So if you'll do that o What I'm gonna have her do is, this time can you put your left arm over your head like this?

Great, real soft, and the other hand, beautiful, just put it right soft to your face. So there is that same base pose shutter clicking with a little bit of variety. If I want, this also looks really nice as a full length shot. If you'll notice, she's up on her toe, and that's gonna be that important part of elongating, and tightening everything.

It's gonna make her calf muscles look very tight and very firm. What's nice about this shot too is you can shoot from slightly different angles, and that's going to either give less emphasis to the curve, or more. So let me try one more here. Real soft there, and then tuck your elbow back.

In this case what I've done, is by putting her hand to her side, I've rolled her shoulder back and had her tuck her elbow, and what that'll do is it'll bend the elbow in right at her waist, which even further emphasizes a waist. So if somebody doesn't have much of a waist, this actually gives the impression that there's more there.

So, roll that shoulder back, tuck that elbow in, just right there's beautiful. And then pop that elbow out just a little more. My point of these last ones is not, these would not be the place I would start, but just know that you get that initial hip kicked out, the same hip that's kicked out, that's the knee that you bend in, and then you lean those shoulders towards that same hip.

That's the core pose, but you can vary her expression towards the camera, away from the camera, head away from the camera but eyes too, hands to the chest, to the face, to the head, to the shoulders, to the hips.

All of that creates variety, but really it's from that base pose. Okay, so let's take a look at our second pose. What I'm gonna have you do is I'm gonna have you turn to the side, slightly away from camera. So this going to be focus a lot more on the curve of her back and her bottom. What I'm gonna have her do is raise the knee closest to camera, which I've said time and time again. It censors but it also is really showing that curve on the lower part of her body.

Notice when she does it she goes up on toe, tightens all of the muscles, but also going up on toe allows me to have a little bit more bend to that knee. The next thing that I'm gonna have her do is you can go down on your right foot, good. And then what I'm gonna have her do is I'm gonna have her bend her right elbow up a little bit. So it's gonna do is gonna give me the curve of her lower back. She's already a very experienced model, so she already had that curve.

But what I watch for is people that kinda do the lean forward. I make sure they arch their lower back to give me that nice shape. So she already did that, perfect. And then one more thing I'm noticing is the way I have her turned, right? Kinda have her twisted around. Is she's leaning a little bit away from camera. What that's going to do, it's going to make her bottom look bigger, which is fine if that's the emphasis of the photo.

But if I want more attention to her chest and her face, can you lean your whole body this way just a little bit? And it brings more attention back to her torso. So again, it's what's the purpose of this photo? Just let me take a couple shots here, and lower that front hand just a little. Great, beautiful. Notice, the front arm, it's not a right angle, which a little bit abrupt, instead it's a very soft bend to that front arm, and I can see the pinky side of the hand closest to camera, which is the most elegant.

Just let me get one more shot of those. Lean your chest forward just a little bit more. Leaning her chest forward emphasizes the curve of her back. Lemme show you the difference real quick. Back up is just a little less curve, but, really both are beautiful. A variation of this of course is to modify your camera angle.

From here I've got curves of her lower back and her bottom, I can still see her chest, but I can move around to the side if I want a little bit more emphasis on the torso and the chest instead of the bottom.

Just depends, but this is the angle that I prefer. Great, lean your chest forward just a little, big arch. I love that. So those are two goto poses. Honestly, the two that I use over and over and over again.

But let's pop on to a third goto pose. This is definitely my goto seated pose. I use it over and over again, and what's great is it looks beautiful being photographed from the front, and from the back. It's focusing on different curves. So I'm going to have her extend, the way she's sitting, the bottom leg, the one underneath, I'm gonna have her extend it out, and then she's going to bend the top leg over so that the knee almost touches the ground.

And so what that does, if you notice, is it creates gorgeous curve, because I can follow the line from her foot to her knee, then up to her hip, over to her chest. I mean, it's just so many beautiful lines. Can you unbend your front knee, just put it back? There, I lose the curve, it's not there anymore.

I have to tuck that front knee over, almost to the ground, or completely to the ground if they can, to get the curve. How I usually use it is, bottom leg extended out, with the top foot tucked behind the ankle.

That's usually how I direct someone. So I'll say, okay great, lay out on one side. The bottom leg extended out, bend that top knee over so it touches the ground, and tuck that top foot just behind the ankle, and that's how you get the shape. That's the direction I give. Then from there, that's the base and I can vary the arms in so many different ways, but can you just do that soft arm over, and bring it up just a little bit?

The place that I have her put her arm right now, the reason I've selected that is because you can see a little bit of negative space in between her arm and the side of her waist. In the nude form, I wanna see her waist, because it's beautiful and it's another curve.

If she brings her arm totally across, can you bring your arm in front of your body? All of a sudden that curve is hidden. So just bringing it out a little bit, I have that curve but I still have the curve of the rest of her leg. The other thing I wanna watch out for is that she doesn't lock out the arm she's putting her weight on, which is kind of hard to do. So you wanna make sure that they're not hyperextending the elbow. Just even a teeny bit of a bend, or look for soft fingers.

She, being a model, already has placed her fingers beautifully, but a lotta times, people will actually turn their hand towards camera, and so when they do that, you suffer from something called foreshortening. Any time the finger or the limbs are coming towards camera, they look cut off or they look shortened. So instead it's much more elegant if she turns the hand out to the side, and then just gives a slight bend.

Watch for the raised shoulder, 'cause a lotta people will lean out on that shoulder. It raises it up. Usually it gathers the skin a lot here, but it also makes the neck look very short. So I'm just gonna adjust my light while she's seated there, so I can get a better photo of this. That's beautiful.

Classic female nude