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For everyone interested in the new frontier where technology and erotica meet, Erotique Digitale: The Art of Erotic Digital Photography is a state-of-the-art look at a selection of the world's most innovative erotic imagery. This brand-new guide is both a compendium of digital image-making techniques - from retouching to complex montages that combine digital photographs with spectacular graphics and 3D imagery - and a superb showcase for the work of top digital photographers, packed full of examples that reveal the tricks and techniques employed to produce some of today's most diverse and creative erotic digital imagery.
Roderick Macdonald is an Australian photographer who lives in Cambridge, England. He works in multimedia production, training and management, where he has won many awards for corporate and training video and multimedia production. His interest in photography spans some twenty years, and has been rekindled by the rapid expansion of inexpensive, high-quality digital technology.
He specializes in portraiture and images of nudes. Convert currency. Add to Basket. Book Description Ilex, Condition: Good. Ships from the UK. Former Library book. Shows some signs of wear, and may have some markings on the inside. Seller Inventory GRP More information about this seller Contact this seller. Book Description Ilex Press, Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. Seller Inventory MV.
Rod MacDonald. Publisher: Ilex , This specific ISBN edition is currently not available. View all copies of this ISBN edition:. Synopsis About this title For everyone interested in the new frontier where technology and erotica meet, Erotique Digitale: The Art of Erotic Digital Photography is a state-of-the-art look at a selection of the world's most innovative erotic imagery.
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Erotic photography is a style of art photography of an erotic , sexually suggestive or sexually provocative nature. After the s erotic photography began to be less commonly referred to as such, and to be increasingly described as glamour photography. Erotic photography generally produces a composed image of a subject in a still position.
Though the subjects of erotic photography are usually completely or mostly unclothed , that is not a requirement. Erotic photography should be distinguished from nude photography , which contains nude subjects not necessarily in an erotic situation, and pornographic photography , which is of a sexually explicit nature. Pornographic photography generally does not claim any artistic or aesthetic merit.
Erotic photographs are normally intended for commercial use, including mass-produced items such as decorative calendars , pinups and for men's magazines , such as Penthouse and Playboy , but sometimes the photographs are intended to be seen only by a subject's partner. The subjects of erotic photographs may be professional models, celebrities or amateurs. Very few well-known entertainers have posed nude for photographs. The first entertainer to pose nude for photographs was the stage actress Adah Isaacs Menken — Traditionally, the subjects of erotic photographs have been female, but since the s erotic images of men have also been published.
Before , depictions of nudity and erotica generally consisted of paintings, drawings and engravings. In that year, Louis Daguerre presented the first practical process of photography to the French Academy of Sciences. Artists adopted the new technology as a new way to depict the nude form, which in practice was the feminine form.
In so doing, at least initially, they tried to follow the styles and traditions of the art form. Each had to be registered with the French government and approved or they could not be sold.
However, the realism of a photograph as opposed to the idealism of a painting made many of these intrinsically erotic.
In Nude Photography, — , Peter Marshall notes: "In the prevailing moral climate at the time of the invention of photography, the only officially sanctioned photography of the body was for the production of artist's studies. Many of the surviving examples of daguerreotypes are clearly not in this genre but have a sensuality that clearly implies they were designed as erotic or pornographic images".
The daguerreotypes were not without drawbacks, however. The main difficulty was that they could only be reproduced by photographing the original picture since each image was an original and the all-metal process does not use negatives. In addition, the earliest daguerreotypes had exposure times ranging from three to fifteen minutes, making them somewhat impractical for portraiture. Unlike earlier drawings, action could not be shown. The poses that the models struck had to be held very still for a long time.
Another limitation was the monochrome image that the technology could produce. Because of this, the standard pornographic image shifted from one of two or more people engaged in sex acts to a solitary woman exposing her genitals. The cost of the process also limited the spread of the technology. Since one picture could cost a week's salary, the audience for nudes mostly consisted of artists and the upper echelon of society.
Stereoscopy was invented in and became extremely popular for daguerreotypes,   including the erotic images. This technology produced a type of three dimensional view that suited erotic images quite well. Although thousands of erotic daguerreotypes were created, only around are known to survive; however, their uniqueness and expense meant that they were once the toys of rich men.
In , William Fox Talbot patented the calotype process, the first negative-positive process, making possible multiple copies. The technology also reduced the exposure time and made possible a true mass market for low cost commercial photography. The technology was immediately employed to reproduce nude portraits, classified by the standards of the time as pornographic.
Paris soon became the centre of this trade. In only thirteen photography studios existed in Paris; by , there were over Most of them made income from the sale of illicit nude images to the masses who could now afford it.
The pictures were also sold near train stations , by traveling salesmen and women in the streets who hid them under their dresses. They were often produced in sets of four, eight or twelve , and exported internationally, mainly to England and the United States. Both the models and the photographers were commonly from the working class, and the artistic model excuse was increasingly hard to use. The Victorian pornographic tradition in Britain had three main elements: French photographs, erotic prints sold in shops in Holywell Street, a long vanished London thoroughfare, swept away by the Aldwych , and printed literature.
The ability to reproduce photographs in bulk assisted the rise of a new business individual, the porn dealer. Many of these dealers used the postal system to distribute erotic photography, sending the photographic cards to subscribers in plain wrappings. Victorian pornography had several defining characteristics. It reflected a very mechanistic view of the human anatomy and its functions. Science, the new obsession, was invoked to ostensibly study the nude human body.
Consequently, the sexuality of the subject is often depersonalised, and is without any passion or tenderness. At this time, it also became popular to depict nude photographs of women of exotic ethnicities, under the umbrella of science.
Studies of this type can be found in the work of Eadweard Muybridge. Although he photographed both men and women, the women were often given props like market baskets and fishing poles, making the images of women thinly disguised erotica. Parallel to the British printing history, photographers and printers in France frequently turned to the medium of postcards , producing great numbers of them. Such cards came to be known in the US as " French postcards ".
Female nude by Charles Gilhousen , postcard, Pseudo- classical scene with kithara. The initial appearance of picture postcards and the enthusiasm with which the new medium was embraced raised some legal issues that can be seen as precursors to later controversies over the Internet. Picture postcards allowed and encouraged many individuals to send images across national borders, and the legal availability of a postcard image in one country did not guarantee that the card would be considered "proper" in the destination country, or in the intermediate countries that the card would have to pass through.
Some countries refused to handle postcards containing sexual references such as of seaside scenes or images of full or partial nudity including images of classical statuary or paintings. Many French postcards featured naked women in erotic poses. These were described as postcards but whose primary purpose was not for sending by post because they would have been banned from delivery.
Street dealers, tobacco shops, and a variety of other vendors bought the photographs for resale to tourists. The sale of erotica was banned, and many of these postcards were sold "under the counter". Each issue contained 75 nude images which could be ordered by mail, in the form of postcards, hand-tinted or sepia toned. Nude on couch by Julian Mandel , c. The Ur-Leica was a compact camera based on the idea of reducing the format of negatives and enlarging them later, after they had been exposed.
This small, portable device made nude photography in secluded parks and other semi-public places easier, and represented a great advance for amateur erotica. Artists were enamored with their new ability to take impromptu photos without carrying around a clunky apparatus.
Early 20th century artist E. Bellocq , who made his best known images with the older style glass plate negatives, is best remembered for his down-to-earth pictures of prostitutes in domestic settings in the Storyville red light district of New Orleans. In contrast to the usual pictures of women awkwardly posed amid drapery, veils, flowers, fruit, classical columns and oriental braziers, Bellocq's sitters appear relaxed and comfortable.
David Steinberg speculates that the prostitutes may have felt at ease with Bellocq because he was "so much of a fellow outcast. Julian Mandel possibly a pseudonym became known in the s and s for his exceptional photographs of the female form.
Participating in the German "new age outdoor movement," Mandel took numerous pictures in natural settings, publishing them through the Paris-based studios of Alfred Noyer and P-C Paris,  Les Studios and the Neue Photographische Gesellschaft.
The models often are found in highly arranged classical poses, photographed both in-studio and outdoors. The images are composed artfully, with exquisite tones and soft use of lighting—showing a particular texture created by light rather than shadow.
Another noteworthy photographer of the first two decades of the 20th century was the naturist photographer Arundel Holmes Nicholls Many photographs from this era were intentionally damaged. Bellocq, for instance, frequently scratched out the faces of his sitters to obscure their identities.
Some of his other sitters were photographed wearing masks. Peter Marshall writes, "Even in the relatively bohemian atmosphere of Carmel, California in the s and '30s, Edward Weston had to photograph many of his models without showing their faces, and some 75 years on, many communities are less open about such things than Carmel was then.
Roye's photograph Tomorrow's Crucifixion , depicting a model wearing a gas mask while on a crucifix caused much controversy when published in the English Press in The image is now considered one of the major pre-war photographs of the 20th century.
During the Second World War , pin-up girl photographs reached a wide audience. Unlike earlier erotic photographs, whose subjects were usually anonymous, a number of well-known film stars posed for pin-up photographs and they were promoted as sex symbols. The emphasis was initially on bare legs, short skirts or swim suits and shapely figures; but in the s such photos started to show naked breasts. Playboy magazine, founded in , achieved great popularity and soon established the market for men's and lifestyle magazines.
Erotic photography soon became closely associated with it and gained increasing public attention. Founded in , Penthouse magazine went a step further than Playboy and was the first to clearly display genitals, initially covered with pubic hair. The models looked usually directly into the camera, as if they would enter into relationship with the mostly male viewers. In the s, in the mood of feminism, gender equality and light humour, magazines such as Cleo included male nude centrefolds.
Unlike the traditional erotic photographs, which use any attractive female subjects, the male nude photographs are usually of celebrities. The spread of the Internet in the s and increasing social liberalization brought a renewed upsurge of erotic photography. There are a variety of print and online publications, which now compete against the major magazines Playboy , Penthouse and cater for the diverse tastes.
Where the subject is presented in a romantic or sexually alluring manner, it may be described as glamour photography. From Wikipedia, the free encyclopedia. Betty Grable famous pin-up photo. Bust photograph of a young nude lady by unknown photographer, 19th century. Portrait by Bellocq , c. Modern erotic photography. Betty Grable 's famous pin-up photo.