Yet she still tries to find ways to piss that poor man off. Nubbins made a cute lil tooth necklace for Sunshine! This includes Bubba, Harry, and Jesse. He had been sent off to war and you had just recently got a letter from him telling you he had finally come home and that he and the family wanted to see you. Paul was a bit of weirdo and kinda older than you, but you loved him regardless.
You wanted to research it and came across some articles that a woman killed her husband and daughter and their spirits haunt the mill. Randy does mention it and the killer Worlsex amatures back to life but it is a little much. Adult Written by Shane T. They were about to yell at you again, when an axe flew from the door behind you and it slammed into the back of their skull. Leslie vernon nipples one big project of the class was with pick a film, not viewed Leslie vernon nipples class, and put together an annotated bibliography on it.
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As the Orange County Register reported this weekDekraai's lawyers and the judge overseeing the case allege that the informant, a Mexican mafia leader named Fernando "Wicked" Perez known for cooperating with prosecutors, was part of a shady long-term project meant to gather as much evidence as possible against high-profile defendants—even when they weren't in an interrogation room. Katie as Kate Lang Johnson. Evidence of this effectiveness that paints the practice in a decidedly negative light comes from the Innocence Project, which claims that "in 15 percent of wrongful conviction cases overturned through DNA testing, statements from people with incentives to testify Add it to your IMDbPage. Show all 8 episodes. In a fascinating pair of recent papers, University of Alabama Leslie vernon nipples Huntsville Professor Jeffrey Neuschatz and Leslie vernon nipples co-authors tested the effectiveness of jailhouse informants through a series of experiments. I can tell you and your readers that there is a definite idea for what's going to happen to Leslie Vernon next, that's been the goal all along. GlenEcho Entertainment Code Entertainment. Necessary Roughness Sheera Kane. Won . IMDb Everywhere. The Campaign Shana St. Share on Twitter Tweet. These proposals are popular among reformers; the American Bar Association's Criminal Justice magazine supported Amature gay porn inalong with the idea of using expert testimony to further communicate to jurors that snitches have been found unreliable in the past.
The masked killer begins to stalk and pick off Sidney and her friends one by one.
- Photo via Flickr user bailbond.
- J-Lo played the sexy, and very horny cheating wife named Grace McKenna, and she enjoys a hard fuck with her real tits on show!
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- Although largely filmed in Oregon , the film takes place in a small town in Maryland , and follows a journalist and her film crew that is documenting an aspiring serial killer who models himself according to slasher film conventions.
- In the stills from this particular Horror Movie, we get to see frame by frame pics of a set of perfect real boobs, with big prominent nipples!
Yet another film blog but the goal here is to bridge popular and academic criticism while maintaining a relaxed attitude about the medium. A team of film students making a documentary follows a man around as he prepares to initiate his on horror movie-style killing spree. I don't know how this movie slipped under my radar for so long.
It's a very interesting exercise in postmodernism. First, a definition for the big word. Essentially, postmodern films are acutely aware of their predecessors and comment — knowingly or otherwise — on them through their own narrative and imagery. This trend is most common in genre films like the western, horror or science fiction films. There are certain codes and symbols that subsequent films build on that, as scholars in genre theory argue, "evolve" into alternative forms of the same genre.
But genre theory, like all theories, is not perfect and is far too big a topic to tackle here. Reflexivity is the mode in which Behind the Mask works with postmodern theory. Behind the Mask , as its title suggests, is not only aware that it is a slasher film but actively deconstructs the slasher mythology already in place. While the film itself, along with writer Kevin Williamson and director Wes Craven, is aware of its position as a slasher movie, its characters are not, thus preserving the liminal space between the artwork and the artifice.
Behind the Mask penetrates this space with the combination of two cinematic apparatuses: the digital video DV camera and the film camera. The conceit of the film is that a group of film students are making a documentary on an up-and-coming slasher villain, Leslie Vernon Nathan Baesel.
That is the diegetic world of the film. What makes Behind the Mask stand out is its use of a second non-diegetic narrative that actively comments on the primary, diegetic narrative. The difference is visually cued by the switch from DV to celluloid. When the documentary about Leslie the diegetic narrative is in action, the film is shot on DV and when the slasher movie that Leslie is creating the non-diegetic narrative in is action, the filmmakers use celluloid film with all the lighting and sound cues associated with the horror genre.
Normally in a horror film of any kind, the audience tends to align themselves with the hero ine of the story and hopes for their survival. As slasher films reaped obscene amounts of money and lucrative franchises were churned out, the villains Jason, Michael, Freddy, etc. The victims were just a means for more inventive death scenes in the next entry. As I like to say of these series, "how are the kids going to get it this time?
As serious as all this sounds, Behind the Mask treats its subject with a light heart. Leslie Vernon is a personable, witty, attractive man who has taken it upon himself to do justice to his predecessors. We like him and want him to succeed in his violent plan but at the same time, we want Taylor to fulfill her necessary role in both the film and Leslie constructed narrative. Leslie is as much the author of the final segment of the film as the screenwriters or director.
He wields such authorial power that he can change the story plotted out during the diegetic segments. This is a film ultimately designed for horror buffs who can appreciate its wit and tongue-in-cheek charm.
Even those who are unfamiliar with slasher movie conventions will get a kick out of it. The performances by the principle actors are strong and well pitched, but the minor details and touches really bring the project home. One that springs to mind is when Leslie's mentor Eugene Scott Wilson is recounting the "old days" of the business while cutting up carrots for dinner.
We hear him steadily chopping but as he becomes agitated, we hear the chopping accelerate to an inhuman speed and the disturbed look on Taylor's face.
The pay off is the pile of carrot mush with the butcher knife sticking straight up in the cutting board. It's funny but unnerving at the same time. Behind the Mask is as equally respectful to the slasher subgenre as it is a send up. It lampoons the more ridiculous elements while seriously analyzing the more salient themes. Not a perfect film but refreshing nonetheless.
London: Routledge, There were, of course, earlier instances of slasher themes and images in films like Psycho , Hush…Hush, Sweet Charlotte and Straight-Jacket both , and Bay of Blood However, the first films to fully flesh out the now iconic images didn't appear until the mids. The s saw the introduction of the prolific franchises Friday the 13 th , Halloween , A Nightmare on Elm Street and a flood of like-minded, one-off entries that were quick moneymaking enterprises.
The end of the 80s saw a winding down of the subgenre, in both box office returns and creativity, which fully resurfaced in the mids.
A feature film crew is slaughtered while trying to film the "true story" of a high school massacre year earlier. The screenwriter, the only survivor, recounts the failed production to police. While searching for a missing doctor on a remote island, a young woman, a reporter, their ship's captain, and his girlfriend are besieged by the living dead.
Fans of Italian horror films tend to break off into two camps. Either you're a fan of the more artistically and visually exciting Dario Argento or you're a fan of the equally nonsensical hyper-violent style of Lucio Fulci.
I enjoy both but nine times out of ten, I'll watch an Argento film. Why the difference? I think it has largely to do with the filmmakers' unique approaches to their films and the finish products. While Fulci is the more prolific of the two, having director more than double the number of films; Argento has a more cohesive style. Fulci has worked in nearly every genre of popular cinema in Italy while Argento has stuck to horror and giallo. At any rate, I'm getting on a "who's better" tangent.
I'm sure the number one question right now is, "if this is Zombi 2 , where is Zombi 1? However, George A. There's much debate over whether Zombi 2 is a rip-off or merely an attempt at cashing in on the success of the Romero picture.
Whatever the case may be, Zombi 2 is a gorehound's dream come true. Zombi 2 is vintage Fulci: there's a somewhat coherent plot, buckets of gore, and truly terrible dubbing. The plot breaks down thusly: a young woman's scientist father is missing on the island of Matool.
She and an English reporter hitch a ride with a couple going on a two-month pleasure cruise. The four find the island, the girl's father, and an island full of zombies. Death and mayhem abound. The young woman and reporter escape to warn the rest of the world but it's too late, zombies have already started to swarm New York. If you want to enjoy Zombi 2 , don't worry about the plot, it's only there to connect the death scenes. To its credit though, the scene of zombie violence are some of the most memorable.
Most notably, a half-naked chick vs. The attractive girlfriend on the pleasure cruise decides to go scuba diving…in just her string bikini bottom and scuba gear. There's our eye candy. She swims around the deep until a zombie suddenly appears to kill her.
She escapes but a shark swims over, possibly to investigate, and the zombie attacks the shark and bites it, which makes the shark swim off. Obviously pissed, the shark return and bites the zombie's arm off in retaliation.
Possibly one of the greatest scenes in the history of the subgenre. While the acting, story, and music are laughable, the effects are pretty top notch. The zombie makeup is a significant improvement on the gray-tone of Romero's film. These zombie look like they've been decomposing for a while, especially the famous worms-in-the-eye-socket zombie that graces the poster. My favorite moment is the eye-gouge scene. Fulci shows his ability to create suspense through editing with this scene.
While the doctor's wife tries to protect herself from zombies by barricading her bedroom door, a zombie hand bursts through the door and grabs her head. Fulci cuts between her panicked face and a giant splintered chunk of the door. He zooms in on the wood when cuts to a wide shot of her face, eyes wide, approaching the door. He cuts back to the zoom-in on the wood then to an extreme close up of the eye and the wooden spike, now an inch away from each other.
At first glance you think, "There's no way he's going to show that! It's unnerving despite the obvious use of a dummy and special makeup effects.
At the end of the day, Zombi 2 is not a great movie but it's a hell of a lot of fun to watch. While my favorite Fulci film is The Beyond , this is a close second. Whether it's a rip-off, a marketing money machine, or just another exercise in extreme Italian-style horror goodness, this fact remains: Zombi 2 is going to eat you.
Suzette Fremont's birthday party is fast approaching and unbeknownst to her and her mother, the "Egyptian Feast" the strange Mr. Fuad Ramses has planed is anything but delicious. Before we really get started, let me say that Blood Feast is not the best movie ever made. The plot is simple, the acting is laughable, and the effects are ridiculous but all put together, this gem is one of the most important horror films ever made.
A terrible and terribly important movie in the same breath? Well it's true. Blood Feast is the film that not only paved the way for all the horror on screen today but put up road signs, off-ramps, and roundabouts.
Four decades before Hostel , Blood Feast provided as much blood and violence as you and your sick bag given away at theatres as a gimmick could handle. Like Mario Bava, Herschell Gordon Lewis is a filmmaker that is ultimately shafted amongst the ranks of film, and even horror, buffs.
However, unlike Bava there's a good reason for it. While Bava is a highly artistic, visually stunning filmmaker, Lewis is after the shock and the buck. Gordon, along with producer David F. Friedman, got their cinematic start not in horror but in a different genre: the nudie-cutie.
Most reacted comment. Carol as Kate Lang Johnson. Want to invest a few hours in front of the TV this weekend? When White explained what he had done on 60 Minutes in , more than a few Californians thought tougher rules needed to be enacted to allow a jailhouse snitch to testify. Show all 13 episodes. Michelle as Kate Lang Johnson.
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Because they can receive reduced sentences in exchange for their testimony, jailhouse snitches have every incentive in the world to claim that they heard a defendant confess to a crime. To counteract this, the California Department of Justice requires that the senior assistant state attorney general approve the use of each jailhouse snitch based on the existence of a recording of the informant receiving the confession—as well an assessment of whether the individual has a record of reliability or might have inside information.
Furthermore, a California law bans the use of informants whose testimony is uncorroborated. These laws were the result of a culture of snitch testimony in the s, when in California alone at least cases involving jailhouse informants had to be re-examined, as the New York Times reported back in A man named Leslie Vernon White was at the center of the mess.
He offered testimony in at least a dozen cases, each time claiming to have heard the defendant confess to the crime. As a result, he was furloughed, during which time he beat his wife, pulled a knife on his landlady, and stole a purse.
To mitigate his punishment, White essentially informed on himself, explaining to the police how he had made a career as a jailhouse snitch. The prosecutor would describe the particulars of the case to White, who would then call the prison's bailiff, this time posing this time as a DA, ordering that he and the prisoner he was trying to snitch on be transferred to court for interviews.
Image via Wellcome Library. When White explained what he had done on 60 Minutes in , more than a few Californians thought tougher rules needed to be enacted to allow a jailhouse snitch to testify. But despite the state's efforts, malfeasance with jailhouse snitches continues.
Which begs the question: If they're such a hassle, and entail the risk of having a case thrown out, why do prosecutors still use them? For one, they're incredibly effective at securing convictions. Juries tend to find confessions very compelling, and it seems wrong to disallow testimony of a confession just because the person doing the testifying is in prison. Hardline anti-snitch advocates might prefer that informants only be used if they have not been given any reward for their testimony, but this too seems too extreme—there are very real consequences in the criminal underworld for snitching, and relying on the public-spiritedness of convicted people isn't likely to bear fruit.
The effectiveness of jailhouse informant testimony is also precisely why it is so dangerous. Evidence of this effectiveness that paints the practice in a decidedly negative light comes from the Innocence Project, which claims that "in 15 percent of wrongful conviction cases overturned through DNA testing, statements from people with incentives to testify But the situation is even darker when restricted to death row cases.
According to a report by the Northwestern University Center on Wrongful Convictions, of death row exonerations since the s, 51 were men convicted with the help of testimony from "witnesses with an incentive to lie. False testimony is the leading cause of wrongful conviction among men on death row. That's why the Innocence Project emphasizes the importance of declaring any benefits jailhouse informants receive and allowing judges to explain to the jury that snitches should be seen as potentially unreliable.
The Center on Wrongful Convictions' recommendations are similar, with an emphasis on only admitting testimony about conversations if those conversations have been recorded. These proposals are popular among reformers; the American Bar Association's Criminal Justice magazine supported them in , along with the idea of using expert testimony to further communicate to jurors that snitches have been found unreliable in the past.
Pew Trusts' the Justice Project adds that jurors should be made aware of the background of the jailhouse informant, including his criminal history which is never spotless and whether he is a "career informant" who has been used by prosecutors in the past. These all sound like reasonable proposals that should limit the harm done by jailhouse informants while still allowing the prosecution to use them in support of the truth.
Even the most ardent reformers can't reasonably ask that they be banned entirely, as the idea of defendants gleefully recounting their crimes to cellmates in the full knowledge that they cannot testify against them is unpalatable. But even these reforms cannot overcome the human fallibility of jurors.
Necessary Roughness Sheera Kane. Jump to: Actress Soundtrack Self. Show all 14 episodes. Mindy Wallace. Kate Miner uncredited. Sheera Kane. Show all 8 episodes. Jenna Newhall as Kate Lang Johnson.
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Hannah Mayfeild as Kate Lang Johnson. Kelly as Kate Lang Johnson. Kelly uncredited. Hailey Collins as Kate Lang Johnson. Jennifer as Kate Lang Johnson. Bethany Gray as Katie Lang Johnson. Marsha as Kate Lang Johnson. Model 4 as Kate Johnson. Forrester Model as Kate Lang Johnson. Ogling Girl as Kate Lang Johnson. Audition Girl. Michelle as Kate Lang Johnson. Katie as Kate Lang Johnson. Tami as Kate Lang Johnson. Herself as Kate Lang Johnson. Related Videos.
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The masked killer begins to stalk and pick off Sidney and her friends one by one. It culminates in a slasher house party. The actors being strong, and well written is such a rarity in horror films. Great stuff. As the timid, well-meaning deputy police officer. My favourite teenage douchebag in all of film. Jackson, whom was originally just a stand-in voice-over, and never allowed to meet the actors to be more unsettling for the actors but was on set to talk to them by phone.
I love how it turns from flirting, to creepy, to psychopathic rage. However he comes off as a real nice guy. And The Fonz! All very likeable and popular actors. Nice cameo, Wes Craven. Randy: Yeah, sure. Crowd oohs! Randy does mention it and the killer comes back to life but it is a little much. There must be some negatives? A self-absorbed, sulky wagon. Has consentual sex, then straight after, prys about his phone call.
Really out of character just after having sex for the first time. Get it? Motives are incidental. I wanna be in the sequel.
Holy freezing nipples, Batman. Scary Movie makes a joke about this. Overall: A very enjoyable, easy watch. A rare treat to have a great, charming ensemble cast, with many jokes still hitting their mark after 19 years. I feel bad for the TV remake, trying to live up to this film.
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